Sonata for Trumpet and Piano was premiere at the NASM convention by J. Frank Elsass, a colleague of Kennan’s from the University of Texas. By Kent Kennan. Trumpet Part(s). A B-Flat Cornet (Trumpet) solo with piano accompaniment composed by Kent Kennan. This title is available in SmartMusic. Buy Sonata for Trumpet and Piano (Trumpet Solo w at Trumpet Sheet Music. A great and Piano. Kent Kennan – Alfred Publishing Co., Inc.

Author: Shagul Mazusida
Country: Sri Lanka
Language: English (Spanish)
Genre: Photos
Published (Last): 28 May 2014
Pages: 440
PDF File Size: 20.6 Mb
ePub File Size: 16.68 Mb
ISBN: 618-5-93290-347-7
Downloads: 99554
Price: Free* [*Free Regsitration Required]
Uploader: Maulkis

The first theme is very rhythmic and separated Dearden The fanfare leads into the slurred motive that is mostly comprised of eighth notes Dearden Kdnnan, Anne Kovarik This first statement begins in minor, goes through Phrygian, and ends in major Dearden His compositions include works for orchestrachamber ensemble and solo instrument as well as songs and choral music.

This section is distinct from the others in this movement because it is the only section that is not muted Dearden Views Read Edit View history. All of theme motives and variants of these motives are repeated throughout the course of this movement Dearden The coda begins with a slow temp and a trumpet fanfare than is played over a C major chord in the piano Dearden The first movements are both in Sonata-Allego form, the second movements are in Three Part Song form, and the third movements are in Rondo form, causing them to both have the same overall structure as well McNamara This motive will be repeated in many different ways throughout the course of the entire piece Dearden When the trumpet part has a long note or rests, the piano has a more elaborate part to keep the music interesting Dearden The main theme of this movement is written three times in a row, the first centered around E-flat Dearden It is based on the secondary theme and uses accents to make the meter difficult to figure out by simply hearing it Dearden Movement II — Rather Slowly and with Freedom The second movement begins with a piano introduction that is made up of a G that stretches to three octaves Dearden It returns to the original tempo and centers around E-flat once again Dearden This movement also has a short closing theme Dearden At the age of 23, he was awarded the Rome Prizewhich allowed him to study for three years in Europe, primarily at the American Academy in Rome.


In the coda, the trumpet is playing with a harmon mute and playing G, the dominant of C, until the last measure, when the line finally resolves to the tonic Dearden It is also the only theme that stays centered around a tonic in the entire movement Dearden This theme is only in the piano part Dearden The piano part during this first theme is mostly comprised of chords that are moving in patterns that are traditional chord progressions Dearden The second movement begins with a piano introduction that is made up of a G that stretches to three octaves Dearden The development is the shortest section in the movement Dearden The development begins after a short transition from the exposition Dearden The Coda The transition into the cods is mostly based on the transition theme from earlier in the movement Dearden The main motive that was introduced in the first movement appears frequently in this theme Dearden By continuing to use this website, you agree to their use.

The secondary theme is lyrical, with no fanfares, and in minor Dearden Kdnnan is also significantly shorter Dearden The second theme has the same character as the first theme, but it is melodically based on the intervals of triads instead of the main motive that is introduced in the first movement Dearden This entry was posted on Thursday, April 30th, at 3: He also uses some displaced accents to make it sound as though it is in a different meter than the one in which it is written Dearden The second movement ends with a coda in C major, which rtumpet not been played in until this point in the piece Dearden Even though the melody sounds like D minor, trrumpet is no F of any kind to confirm whether it is major or minor.


University of North Texas, The recapitulation also begins with a soft dynamic, which is quite the opposite of tradition Dearden Leave a Reply Cancel reply Enter your comment here The first theme is played by the trumpet and is muted Dearden Kennan wanted to write in a similar style of those who he admired, so he modeled his writing style after Paul Hindemith and Howard Ksnnan, a teacher of his McNamara Email required Address never made public.

Most of it is an exact restatement of the exposition, but transposed up a half step Dearden He learned to play the organ and the piano and received degrees in composition and music theory rrumpet the University of Michigan and the Eastman School of Music.

Then a short transition leads into a restatement of the third theme, but this time the soprano line of the chorale is played by the trumpet and the bottom three voices are not being played Dearden The Development The development begins after a short transition from the exposition Dearden The piano plays an ostinato under the light, lively trumpet melody Dearden The Recapitulation All of the themes from the exposition are written in the recapitulation Kennaj The American Trumpet Sonata in the s: Kennan meant for the trumpet and the piano to be fairly equal in this piece, so trumpet players need to be aware of this and play accordingly Kennaj Trmupet three pitches in the first measure begin with the leap of a perfect fifth up, followed by a whole step Dearden He also made the first movement shorter and slowed the tempos in the first and third movement slightly McNamara The first theme then returns, once again, but it is trujpet much more than it was when it was stated the second time Dearden